The 2nd Ending just hits you so hard with its mellow type of sound and then partnered with a very stimulating visuals that helps both art and sound to be one of the selling point of the series.Ĭharacters 10/10 Oh boy, did just everybody got all their fokin character development? From Sukeroku to Yakumo upto Yotaro and Konatsu and even Shinnosuke. Sound 10/10 Hell yes, from the shounen type of opening from both seasons to the one of the emotional endings i've seen. With good camera angles and with very realism type of editing, the show proved that animation is not only just the key to make a topnotch quality series. It is just that good and you might know the show had those insane plottwistĪrt 9/10 Nothing special when it comes to frame by frame animation but when it comes to cinematography the show just stands out. Story 10/10 Simple and boring you might say but the narration of the series is topnotch, with thoughtful editing + with masterful direction, the show just climbed up the rankings easily, surpassing its 1st season. Not being biased here, I mean the show is just that good, flawless + with insane direction and editing by Studio Deen. When it comes to drama, Shouwa Genroku Rakugo Shinjuu as a whole is insanely topnotch / masterpiece. This show hands down one of the godtier series in the history of anime. In Shouwa Genroku Rakugo Shinjuu: Sukeroku Futatabi-hen, the curtains fall on Yotarou and Yakumo's story, tasked with restoring the near-obsolete art form as well as overcoming their internal conflicts. Instead, he seeks to persuade her to marry him and in turn raise her son as his own. Konatsu, for her part, attempts to raise her son as a single mother, which Yotarou is heavily opposed to. His doubts grow stronger as an old friend creeps ever closer. Even though his performances are still stellar, he fears that he is nearing his limits.
Meanwhile Yakumo, regarded by many as the last bastion of preserving the popularity of rakugo, struggles to cope with his elderly state. And while his popularity packs the theaters, he is but one of the few rakugo is under threat of being eclipsed. Caught between his master's teachings and the late Sukeroku's unique style, his performance lacks an important ingredient-ego. Even after having risen to the utmost rank of shun'ichi, Yotarou struggles to find his own identity in the world of rakugo.
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